![]() But such slips are eminently forgivable as we look back through the mists of time - and especially for the now 79-year-old McCartney, who has known global fame for nearly the entirety of his adult life. While "McCartney 3, 2,1" may stumble, at times, over the composer's faulty memory - at one point, he seems to confuse a session with horn player Alan Civil with yet another involving trumpeter David Mason. Mills" in honor of the music-hall performer who used to tickle her ivories on that selfsame piano all those years ago. In other instances, McCartney shares his joy over playing "Lady Madonna" on Abbey Road Studios' upright piano, whimsically known as "Mrs. By highlighting key aspects of Beatles recordings, Rubin teases out McCartney's splendid bass line on "With a Little Help from My Friends," pronouncing it as a "lead bass" part, if ever there were one. With Rubin carefully prodding McCartney along the way, we are treated to stories about the origins of the songwriter's work, as well as the nuts and bolts that went into making them possible. He also credits Martin for elevating both the Beatles and popular music alike with the producer's innovative string arrangements for such classic songs as "Yesterday" and "Eleanor Rigby." McCartney rightly attributes many of the Beatles' most profound recordings to Martin's workarounds, including the producer's "wind-up" piano technique that made the spirited guitar-piano duet in "A Hard Day's Night" possible. In many ways, the band's 1960s-era recordings make for extended case-studies in problem-solving during a time when Lennon and McCartney's musical dreamscapes often outstripped the technical capabilities of the contemporary recording studio. In its finest moments, "McCartney 3, 2,1" highlights the Herculean efforts of producer George Martin's collaboration with the Beatles. Now I look back, and I was working with John Lennon". Thinking back to those days, McCartney wistfully observes that "at the time, I was just working with this bloke called John. "McCartney 3, 2,1" is chockful of warm-hearted asides from the Fab Four's pre-fame years, including Paul and John Lennon's playful, early spats, when they'd chide each other as "four-eyes" (Lennon) and "pigeon-chest" (McCartney). The result is an insider's look at the musical composition and recording artistry behind history's most vaunted pop-music catalogue. ![]() Love the Beatles? Subscribe to Ken's podcast " Everything Fab Four."
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